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Related: About this forumThat Time When the Mafia Saved Walt Disney...
(absolutely none of the following was written by or using AI. I will list my sources at the bottom. Found most of this while researching the role of organized crime in Hollywood.)Hard to imagine now but the studio that is now top of the heap started with no studio at all. In the 1920s it was legal and common for studios to own movie theaters so producers who did not own theaters had very little leverage and had to shop for the best distribution deal they could get.
The Disney brothers, Walt and Roy, lost control of their first popular character, Oswald the Lucky Rabbit, to Charles Mintz and Universal. They then created Mickey Mouse and made a deal with Pat Powers, an entrepreneur in the conversion to sync-sound, because it was one of the only deals being offered to them.
Powers claimed that their cartoons were only gaining popularity because he had used them to promote his new sound system for theaters. The deal had all the worst terms : Powers got "thirty-five percent as distributor of Disney cartoons but also charged Disney all the costs for prints, processing, advertising, censorship fees, licensing, insurance, music rights, recording fees, print royalties and foreign dubbing. Powers claimed these costs totaled 17,000 per cartoon but the actual cartoon only cost $5,500 on average to make.
Powers tried to force the Disneys into a long-term contract by destroying their finances. Then he stole Ub Iwerks, their top animator. When the Disneys demanded to see Powers books, Powers replied they could if see them only if they signed a new deal with him. Plus he would take them to court if they decided to sign with anyone else.
The Disneys shopped around for another deal going to MGM who became so convinced that animated mice were a good idea that they started producing "Tom & Jerry" without the Disneys. Powers threatened to sue any studio that signed the Disneys thus cutting off all their escape plans.
According to legend, Frank Capra introduced the Disneys to Harry Cohn, of Columbia Pictures, who offered a $7,000 advance for each cartoon and established a fund of $25,000 to combat Powers if he tried to sue. Cohn lent Walt $50,000 to get started and the deal was made over objections from Roy Disney that Cohn was not overburdened with good intentions.
Powers, who had been quite aggressive in cheating the Disneys and blocking their escape, suddenly backed off completely. He knew what Cohn was capable of. Rules that applied to other studios did not apply to Columbia because the studio was part of the Chicago crime families.
Columbia distributed Disney product from 1930 through 1932 but Walt was unhappy with the accounting and treatment at Columbia. As he worked off Cohn's $50,000 loan, Walt secretly negotiated a deal with UA and a few years later moved to RKO. Capra said later,
- Frank Capra
Leaving a mafia-controlled business isn't easy. Harry Cohn's brother, Jack, who ran the New York office of Columbia threatened Roy Disney that You are going to lose plenty as a result of this deal.
While no physical harm came to the Disneys, Columbia's accounting got even more inaccurate and put the Disneys in financial jeopardy again. Walt saw Harry Cohn years later in the Riviera and Cohn showed no sign of hard feelings. Indeed Columbia had become one of the biggest producers of television by using the brand it created for its cartoons, ScreenGems. Following Disney's exit, Columbia had brought in his old nemesis Charles Mintz in 1932 and during a strike in 1941 had lured away Disney animators.
Reading between the lines of this and other stories about the Disneys you can see how bold they were. They somehow managed to negotiate their way through 6 majors studios, retain control of their IP and eventually buy almost every studio that is still around + ABC + ESPN, etc.
- - -
Sources: 1. "King Cohn : the Life and Times of Hollywood Mogul Harry Cohn", 1990
https://archive.org/details/kingcohn00bobt_0
2. "Handsome Johnny: The Life and Death of Johnny Rosselli: Gentleman Gangster, Hollywood Producer, CIA Assassin" by Lee Server, 2017
https://www.goodreads.com/book/show/15793502-handsome-johnny
3. "Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World" by Richard Snow, 2019
https://www.goodreads.com/work/quotes/70060166-disney-s-land
4. Wikipedia - Walt Disney, et al
https://en.wikipedia.org/wiki/Walt_Disney#1928%E2%80%931934:_Creation_of_Mickey_Mouse_and_following_successes
Fiendish Thingy
(24,055 posts)Can you point to which of your sources verified the Columbia/Mafia connection, and that Disney was threatened by the mafia?
GreatGazoo
(4,697 posts)"King Cohn" details the connections and dynamic, as does "Handsome Johnny". The mafia dynamics of the Cohns and Columbia Pictures are well documented and not disputed within Hollywood:
https://en.wikipedia.org/wiki/Harry_Cohn
Most will remember the horse head scene from The Godfather -- that character is the "Jack Woltz" referenced by the Wikipedia entry. Obviously it is not a secret. What Cohn did to Sammy Davis Jr. was horrible and well known.
Fiendish Thingy
(24,055 posts)While no physical harm came to the Disneys, Columbia's accounting got even more inaccurate and put the Disneys in financial jeopardy again.
That implies that Columbia, which you claim was controlled by the mafia, threatened the Disneys.
The Cohns were rat bastards, and their ties and friendships with mobsters are not disputed, but to say that the mafia controlled Columbia is a stretch not supported by evidence.
GreatGazoo
(4,697 posts)Hollywood historians, organized crime researchers and legacy industry insiders.
If you are interested in learning more I recommend Server's book. A great read.
More briefly:
https://www.theguardian.com/books/1999/feb/27/books.guardianreview5
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